There is a simple and common craft that is made all across the country called God’s Eye. It looks like this:
There are a couple of things to discuss here about the relationship between this simple project and the bigger picture. Usually this is made , like here, with whatever colors of yarn the crafter chooses. It is easy to see that the rainbow pattern like the visual aid is easy to apply and appealing also.
From here let’s visit some of the sacred geometry we discussed and consider that the platonic solids are actually very similar to prime numbers. The ‘double pyramid’ shape is actually one of the platonic solids:
In three dimensional space, there are ONLY FIVE natural frequency modes for spherical EM standing wave, resulting in the formation of the five Platonic solids shown below.
This doesn’t really match up with the octave model yet though. Here is how we put that together using some modern and ancient knowledge.
We need to include the sphere as the most complex and complete ‘prime’ shape that exists. Buckminster Fuller described a sphere as “a multiplicity of discrete events, approximately equidistant in all directions from a nuclear center.” This makes the sphere the most complex three-dimensional object that there is; an infinite number of different geometric shapes can be drawn inside of it, by simply connecting different points on the surface of the sphere together. (more here)
Next we move on to the ancient Vedic texts. “For the rich, mystical culture of the ancient Vedic texts, with the full cooperation of extradimensional entities flying about in fabulous vimanas, the icosahedron shape was actually turned into a god. They named him Purusha, and in the seventh dimension, or density, he represents the masculine force in the universe.” This is also found at the link above. This Shift of the Ages by David Wilcock is really a wonderful collection of information that he has put together in one volume. I don’t necessarily buy into David’s reincarnation of Cayce theory, but I have personally studied the physics that he mentions here and independently verified the information he presents. I believe it to be accurate. Feel free to study the pieces yourself and reach whatever conclusion you want. As a side note, David has ‘revised’ this text from the original version I read more than a decade ago. I have not reread the entire text since. I do not agree with David’s image of the platonic solids in order repeating the icosahedron he uses here:
He leaves out the first Platonic Solid or tetrahedron and ads the star tetrahedron in its place while duplicating the icosahedron. Only the beginning and the end can possible repeat and maintain the integrity of the octave. I appreciate all the work he has done, but logic doesn’t allow for his image to be accurate. Ok so here is a ‘picture’ of my new model of the octave of creation:
The center solid is the cube. It is the most opposite of the sphere with the corners evident. It is from here that the transformation back to the sphere shape begins. The last shape before we repeat with the same pattern is a star tetrahedron.It is an expression of the first shape amplified. This shape is rarely used in our mathematical discussions as it is so infused with religion and spirituality. It is the shape of the Star of David, the Flower of Life, the Merkaba or whatever you want to call it. It seems natural to me that as the vibration intensifies it would be an actual multiplication or doubling of itself before it ‘splits’ into the new octave. Hence the doubled tetrahedron. This is my intuitive vision of how this looks on paper. I am not sold on the position of the star tetrahedron and need to investigate the math behind it more thoroughly. It does feel right here though. It represents also an ‘explosive burst’ of energy that must precede the transformation to a new octave.
Stay tuned for more about the colors and the connection to this geometry.
There is also much to be discussed about the colors that follow along with this graduation of frequencies. That will be coming soon.
